Author: Yara Asmar
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The Cut-Throat Finch Preludes
Before the Lebanese civil war began, my grandfather had gathered up some savings to buy a 4-track reel to reel recorder onto which he went on to record the sounds of different birds. By the time the war started, he had already recorded the sounds of almost 600 birds, and in his attic he stored…
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The Black Forest Journals
There are strange creatures hiding in the forest, inside the tree stumps and below the carpets of moss: Pine wisps, wooden giants and mechanical birds. A tiny universe inside a room, this installation features these creatures and diary excerpts that document the chance encounters with them.
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Le Guess Who/Radio Al Hara
“Radio Alhara presents an unprecedented collaboration between Beirut-based multi-instrumentalist and puppeteer Yara Asmar, electronic musician Sary Moussa, and Bethlehem-based tenor of the Greek Orthodox chorus of the Nativity church Laurence Samour. The experiment is as much an attempt of apprehending an unforeseen encounter, as well as resisting physical boundaries through sonic content. The collaboration is…
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The Moon is a Malevolent God (But it’s Safe to Rest Here for a While)
Something happened here once, and there’s a reason you’ve forgotten it.
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Clocks for Dinner
A study of derealization and the distortion of time that accompanies isolation, through data corruption, puppets and music.